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  • DMC Online DJ Championships 2012

Online DJ Competition Blog

Tony Prince, founded DMC with his wife Christine in February 1983. He had introduced DJ mixing into his Radio Luxembourg dance music programme in 1981 exposing the developing art to 50 million listeners. His career began as a singer and became a full time DJ when the UK Musicians Union expelled him for playing records when the band had a break. He became part of the small team of musical mutineers, the UK 60's pirates who broadcast from Radio Caroline. He then joined Radio Luxembourg and stayed with Europe's largest commercial radio station for 16 years.

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  • Posted on: September 4th, 2012

    CONGRATUALTIONS (felicitation) to FONG FONG the new DMC 2012 ONLINE DJ CHAMPION. I have long been a fan of...

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  • THE HOUR HAS COME

    Posted on: September 3rd, 2012

    Well done to all you finalists, you all have DMC’s appreciation of your talents and I’m so glad to...

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  • Which of these 27 brilliant DJs will come to our Olympic city?

    Posted on: August 15th, 2012

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  • See you in September

    Posted on: July 27th, 2012

    30 stunning performances, well done ONLINE DJ competitors….you are now 6 minutes away from an expenses paid trip to...

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  • APOLOGY FROM DMC

    Posted on: July 2nd, 2012

    We apologise to all competitors and voters as the voting system has failed in recent days. DMC await a...

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  • Posted on: June 6th, 2012

    What’s going on? NOT ONE AMERICAN OR BRIT OR FRENCH DJ is amongst the Top 3 prize winners from...

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  • TOP TEN WINNERS ROUND 2

    Posted on: May 29th, 2012

    So many new names coming through….c’mon! Well done to you the next ten finalists. Get practicing that 6 minute...

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  • MAKE A NAME FOR YOURSELF

    Posted on: May 28th, 2012

    Almost time to reveal the finalists from Round 2 and then head down through the summer to the final...

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  • ROUND 2 COMMENTS

    Posted on: May 15th, 2012

    Doc BLAdez – good to see excellent uses of Novation Dicers. Ichy the Killer – smooth operator but watch...

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  • ROUND 2

    Posted on: May 8th, 2012

    FOR 7 DAYS THE WORLD IS WATCHING YOU. GOOD LUCK DJs! Tony Prince. (DMC Founder)

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  • Daydream DLP

    Posted on: September 4th, 2012
    CONGRATS TO FONG FONG AMAZING SET!!!!!! GOOD LUCK IN THE WORLD FINALS!!!!
    Click To Read Post & Comments
  • DJ Ethanol

    Posted on: August 17th, 2012
    whats going on with the random videos with no video! of dj sets in the final?
    Click To Read Post & Comments
  • tony

    Posted on: August 15th, 2012
    GOOD LUCK MY FRIENDS - NO CHEATING ON TH VOTING OR I'LL COME AND GETCHA!
    Click To Read Post & Comments
  • Daydream DLP

    Posted on: July 2nd, 2012
    Now a waiting game,thats messed up hope this gets resolved quickly,we all started with a time frame,we should stick to it. ROUND 3 judges will have a hard time choosin the next 7 djs very tough decisions,good luck to everyone in this competition.
    Click To Read Post & Comments
  • tony

    Posted on: July 2nd, 2012
    We're waiting for Los Angeles to wake up and will have the answer. We want to extend until Wednesday. Tony.
    Click To Read Post & Comments
  • darkpsycho

    Posted on: July 2nd, 2012
    Because of this problem with talenthouse will the period of votes be extended?
    Click To Read Post & Comments
  • darkpsycho

    Posted on: July 2nd, 2012
    The same problem today...
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  • djchile

    Posted on: June 29th, 2012
    Hi Tony, Thanks for the response. Don't get me wrong, I'm very much 'chilled out' and I'm not trying to discredit this competition because I do think you guys have value as a platform for the exposure of new turntablists. I can't hate on a competition that is the only provider of real insentives in terms of rewards (both exposure and prize based). Last year I won the WTK scratch freestyle competition and the prizes and exposure I recieved from that amount to very little in comparison to what is available from participating in the qualifying heats of this event. You have sponsorship and media attention and this is something severely lacking in other competitions. My issue though is centred on the judging system itself. The pro judges you have organised for this competition are of an amazing standard, and yet they have no power over who is ranked a place in the top 3 prize awarding positions in the qualifying rounds. These prizes are motivators for people like me, but when public vote is the only means of attaining these rewards, the process becomes more of an advertising campaign and the emphasis of a skill showcase loses its focus. If you allowed the judges to vote the top three places then I would accept the statement you made in the article: 'The answer must be simply that CHILE, SINGAPORE, PORTUGAL, ITALY, SPAIN AND ECUADOR have thrilled the public and the pro judges more than DJs from the nations that normally lead the way.' But when the pro judges have no say about the top 3 positions your statement is mistaken and it becomes clear examining the voting system that those countries won the top places from having more public support than nations that normally lead the way. I’m not trying to totally discredit the work of the top positions from the previous rounds by the way. I think some of those places were well deserved skill-wise and it makes me proud to see Chile and other countries that otherwise wouldn’t have this opportunity placing. This is another thing I like about your online competition, that you’re providing worldwide opportunity. I’d just like to see things done in a fairer way. I can’t speak for everyone of course, but many of my friends who entered in previous rounds and qualified in 4th-10th place feel somewhat cheated out of the prize positions. This system may get you more attention on the web, but it’s frustrating a lot of the competitors themselves... Vekked raised some good suggestions for system reform.. Anyway I hope you can see I’m not out to have a go at you guys for no reason, and I hope you can take the constructive aspects of what’s been discussed. Regards, chile
    Click To Read Post & Comments
  • Vekked

    Posted on: June 29th, 2012
    One last thing, is there any sort of security to verify the top 3 public votes aren't cheating? I'm not going to accuse anyone, but there's definitely incentive to cheat and make fake twitter/facebook accounts, and there's been a couple suspicious cases. In a perfect world it wouldn't be necessary, but I think it would be naive to not do any sort of review before sending them the prizes. If it is already being done and everything has turned out legit then great.
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  • Vekked

    Posted on: June 28th, 2012
    I agree mostly with chile. I still think that there should be awards for public votes, but I don't think it should be skewed towards that end of the spectrum quite as much. I think that the online promotion aspect is a good element and shouldn't be eliminated entirely; it does encourage the DJs to promote themselves and get their names out there a bit and bring some attention to themselves and the DMC. On the other hand it's quite unfair that someone with more friends on facebook or twitter or better connections reap all of the benefits over DJs who clearly spent many more hours on their routines. DJs who are already more established have an inherent advantage that is almost impossible to overcome for the up and coming DJ who might have better skills when it comes to turntablism specifically. I think having prizes in the heats is absolutely a good idea, and is more likely to bring out some better DJs, and more likely to yield a better overall quality for the final. BUT having all of those prizes allocated for those with the most votes as opposed to the highest ranked routine by the judges may deter some of the better DJs as well. My suggestion would be to perhaps give a decent prize to the highest public voted set (but only the 1st highest) and then prizes to the top 2 by judges vote (and ideally the best prize for the top judged vote). This still encourages people to promote themselves in order to get the prize for the votes, but keeps the emphasis on DJs doing their best sets and bringing skills to the battle. I do think that the current setup will still bring out roughly the correct top 3 entrants in the end, but having a bit more emphasis on quality of routines in the early rounds may bring out some higher quality entrants, and I believe that having better quality routines will yield more exposure for the DJs and the DMC overall anyways in the long run. Even though in the context of the first couple days of voting the current system might be ideal, it's better to have routines that have potential to get 100k views over the course of a year because of it's quality/replay value than routines which might get 5k views in the first week but never see 5k more after that. Just my 2 cents, peace! -Vekked/2011 Canadian DMC Champ
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  • GOD HELP THE JUDGES!

    Posted on: November 7th, 2011

    IMMORTAL VS FLY are causing a bloody good debate. Do you ever feel sorry for the judges at the...

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Recent Blog Posts


  • by tony 09/04/2012
  • THE HOUR HAS COME
    by tony 09/03/2012
  • Which of these 27 brilliant DJs will come to our Olympic city?
    by tony 08/15/2012
  • See you in September
    by tony 07/27/2012
  • APOLOGY FROM DMC
    by tony 07/02/2012

Recent Blog Comments

  • Daydream DLP commented on
    (27 weeks ago)
  • DJ Ethanol commented on Which of these 27 brilliant DJs will come to our Olympic city?
    (29 weeks ago)
  • tony commented on Which of these 27 brilliant DJs will come to our Olympic city?
    (30 weeks ago)
  • Daydream DLP commented on APOLOGY FROM DMC
    (36 weeks ago)
  • tony commented on APOLOGY FROM DMC
    (36 weeks ago)

Blog Archive

  • September 2012 (2)
  • August 2012 (1)
  • July 2012 (2)
  • June 2012 (1)
  • May 2012 (6)
  • April 2012 (3)
  • March 2012 (7)
  • February 2012 (3)
  • December 2011 (1)
  • November 2011 (1)
  • October 2011 (4)
  • September 2011 (2)

Latest World Champs Blog Post

The DMC Online DJ Championships - Launches on March 22nd. DMC pioneers of the DMC World DJ Championships broke the boundaries of the D...

from Sally McLintock on Tue, 26 Feb 2013

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